Leurs coeurs se balancer

Kindness and candor can be fueled by an ardor that excites us. We're talking about an appetite for life.

For a long time, I thought the role of the artist was to shake up the audience.
Today, I want to offer them on stage
what the world, which has become too harsh,
no longer gives them:
moments of pure love.

In response to this phrase by Pina Bausch, I note that many shows for infancy and early childhood, including those I've created myself, address the negative or painful feelings that run through our learning years, and how to deal with them: anger, arguments, jealousy, fear of the dark, death, prohibitions, loneliness, parental abandonment, the presence of the ogre...

While these emotions do indeed run through childhood, and confronting them is constitutive of our development and emancipation, they denote the representation of a violent world from which we can also try to free ourselves.

So I want to offer children aged 3 and over a show that, without naivety or silliness, depicts the happiness of life and its immense joys. An anti-dystopian vision of the world and our relationship to everything around us.

Does a show about sleep require us to be prepared for nightmares? Does a show about emotions require us to tackle anger? Does a show about love require us to be warned about breaking up? Does a show about the sweetness of life require us not to