La mare aux sorcières

In La Mare à sorcières, we meet Pierre, who lives in the countryside and knows every stone, twig and insect by heart. Then there's Nina, who's traveled a lot, but knows nothing about the countryside. That doesn't stop her from being curious, asking questions, and heading off into the forest, despite Pierre's advice not to go alone. There might be a pond there, and witches in it. But this doesn't frighten Nina, on the contrary...

DisplayThrough a hybrid, ambulatory, theatrical and visual display, we want to convey the pleasure of words, the desire to read, the audacity of saying, but also the importance of getting involved. For this story can only take place if everyone brings their voice, their presence, their character to give it life.

The physical relationship with the text is an essential part of our artistic research. When we asked ourselves how we could communicate this sensory relationship to the spectator, we immediately imagined moving the reading. We wanted to turn this occupation, too often considered solitary and silent, into a collective, playful activity, practised viva voce with the body in motion. Moving reading also means taking it out of its expected framework, proving its omnipresence so that it can move the reader himself, making him rediscover familiar or unfamiliar places, upsetting his relationship with the text.

In a place - a theater, a li