Sony chez les chiens

Dieudonné Niangouna's theater is an emergence, made up of ruptures and flows of incandescent lava. He manipulates the everydayness of contradictory feelings, as well as the feelings that influence behavior. The evocation of Sony Labou Tansi is here the occasion for a vitriolic plea to end all misalliances. At the heart of the lines, which thread their way through an inopportune and delightful dialogue, the playwright invites us to a lively exploration of his cultural universe. In this text, he tells us everything: what he loves or hates, his "congolité", what has made him a unique and universal playwright, his constant desire for emancipation. Dieudonné Niangouna's theater touches on the essential, that is, on what allows us, as Sony would say, to "name" things and beings. Caya Makhélé