Se rappeler pour vivre : Fuck me, Love me, Kill me

In Fuck me, the first part of her autofictional work entitled Recordar para vivir (Remember to live), Marina Otero examines the notion of time passing. She summons five male "sex symbols", dressed only in boots and knee pads, who indulge in leather and latex eroticism as burlesque as it is electric. Facing them, she recounts her life, traversing the history of Argentina, from the dictatorship to the present day.

With Love me, Marina Otero indulges in a most perilous solo, with no artifice and no net. Imagined with director and playwright Martín Flores Cárdenas, seated facing the audience, she speaks of her anxieties and inner violence. She places the body at the center of her investigation, in constant evolution. The need to dance, lovers, separations...

Kill me is the third part of the Recordar para vivir project, in which Marina Otero proposes to present different versions of her works up to the day of her death. She deals unfiltered with her mid-life crisis, a period when, with a raw heart, she starts filming everything she does 24 hours a day, until the day she collapses and is given a psychiatric diagnosis. It is with this material, accompanied by four mentally disturbed dancers and an actor, a double of Nijinsky, that she creates a play about the madness of love. Marina Otero wants to make shows to stay alive in the world, in the theater.