Una costilla sobre la mesa : Padre

Following Madre, Angélica Liddell creates Padre, she questions the reality of life through religion and the dogma of resurrection through philosophy, notably summoning the thought of Gilles Deleuze to the stage.

As always in Angélica Liddell's writing, it is in the experimentation of the stage that the writing takes shape through the addition of sensations - visual, sonic, performative, oral - that give rise to the link between the spectator and the show, a link that is always sacred, imbued with a ceremonial that brutally calls for the awakening of inner life.