Sheep

The question of gaze is central to our set-up. Sometimes the animal looks, sometimes the actors look through their own eyes or, more often than not, through those of their neighbors. These perspectives constantly introduce a relationship with the off-screen, with what I see, from where I see it to when I see it the way I see it. That is, with a
multitude of deformations.
According to what I see, I act. The conduct of an agent (an individual) is always determined by a reason that always seems legitimate, and for good reason: it's his own.
Interrogating what shapes it is at the heart of the proposition. The work will lead us to the question of the multiple forms of mimicry.