Poser problème

Adeline Rosenstein doesn’t seem used to this kind of interview. Here, it’s her turn to speak—she who has always been committed to giving a voice to those who are silenced. As she describes her work as a director, she reveals a practice of documentary theater deeply rooted in research, listening, and doubt. Reading, analyzing, understanding, discussing, meeting people: before bringing a piece to the stage, Adeline Rosenstein begins by listening to others.

Trained in Berlin and Jerusalem—two cities marked by historical and territorial political divisions—she has developed a keen awareness of dominant narratives and the mechanisms of erasure. Through her research, her questioning, and her experimentation, she seeks a theatrical form that is true to itself—one that makes no compromises with reality, and involves neither simplification nor deception.