La Chambre de l'écrivain

A director in his forties, Martin decides to bring his parents' story to the stage. But his mother, Liliane, refuses to allow her life to be exposed, and Paul, his father, vacillates between lucidity and confusion.

As rehearsals progress, the play is transformed into a shifting territory, between past and present, where fiction and reality mingle until they become inseparable. After Nos paysages mineurs and En finir avec leur histoire, Marc Lainé closes his trilogy with a text that questions creation, memory, transmission and family heritage.