Ce soir ne se répétera jamais

What is a first rehearsal of readings in front of an audience? What's it like to write a dialogue in collaboration with a technician and an accountant? What stories and ideas will emerge when we ask the public, the administration or the producers of the Théâtre de la Bastille to tell us how their lives have been transformed by living in this building? What will be the outcome of an artistic creation process in which all participants in the theatrical event have their say at every moment? What will come of the performances of Ce soir ne se répétera jamais, invented collectively as a gesture as unique as it is ephemeral? What can happen when all these people start debating what it really means to occupy a theater?