Fine di un amore

Closing Love clearly marks the end of a story. It tells the story of a couple trying to end their relationship. They are driven by anger and the urgent need to separate. But Clôture de l'amour can also be a beginning, because clôture, which cannot be fully translated into Italian as chiusura, also means to enclose, and the show here encloses the space dedicated to the soul, the space that defines the individual as a flesh-and-blood territory to be defended.
Anna and Luca, the two characters who confront each other on the edge of the stage, face each other with an essentially organic and even choreographic language, building with words a barbed-wire barrier that separates them and endlessly repeating obsessively expressions that seem to swirl in their bodies.
Two monologues that can't interrupt each other, two separate verbal flows that wouldn't stop without the sudden irruption of a group of children on stage. "If I had to go into what I feel, I'd describe it as a dance text," says Pascal Rambert.
A mental dance of sorts, highlighting the invisible movement of the soul and nerves on stage.