The Dog Days Are Over 2.0

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The Dog Days Are Over 2.0 questions the boundaries between art and entertainment, while interrogating our perception of the performers' suffering on stage. With mathematical, repetitive choreography, the dancers pursue a relentless quest for perfection. Their bodies, in near-perfect synchronization, eventually come up against error. It is in these moments of fragility, when imperfection emerges, that the mask falls off. Exhaustion is no longer a failure, but a shared experience between performer and audience. Through this reinterpretation, Jan Martens goes beyond simple physical performance to question the role of spectator-ice. The Dog Days Are Over 2.0 is an invitation to look differently, and to question our way of consuming performance.

En vidéo
The Dog Days Are Over 2.0 – Teaser
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Performance calendar

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Les Célestins, Théâtre de Lyon | Lyon Book
In collaboration with Biennale de la danse
Theater Rotterdam | Rotterdam
Aperto Festival | Reggio Emilia
Seoul Performing Arts Festival | Séoul
La Comédie de Valence | Valence
La Comédie de Clermont-Ferrand | Clermont-Ferrand
Les Salins | Martigues
TANDEM Scène nationale | Douai
Theaters Tilburg | Tilburg
PLT - Theater Heerlen | Heerlen
Theater De Veste | Delft
Grand Theatre Groningen | Groningue
Kunstencentrum Vooruit Viernulvier vzw | Gand
LE ZEF - scène nationale | Marseille
La Manufacture - CDCN Nouvelle-Aquitaine Bordeaux La Rochelle | Bordeaux
ITA - International Theater Amsterdam | Amsterdam
Cultuurcentrum Hasselt | Hasselt
CC Sint-Niklaas | Sint-Niklaas
deSingel | Anvers
Stuk Kunstencentrum | Leuven