Bros

Romeo Castellucci, the grandmaster of a theater that makes images speak and provokes the imaginary, brings a group of anonymous men to the stage to question "the responsibility of the Law."

Romeo Castellucci's theater uses images as another form of language to address his contemporaries beyond appearances, conformism and the formatting of thought.

After Democracy in America, which questioned the hidden reality of a political system, Bros poses in its own way the question of our relationship to the law and the individual and collective responsibility we have in the face of its dominating force. All these anonymous men who invade the set, wearing the uniforms of the famous American policemen that run through silent films, seem to obey orders from elsewhere with unfailing rigor. But "who are they, what are they doing, where are they going?". We laugh at their behavior, before trouble sets in. Is comedy merely the face of a violence inherent in the Law?